When Johnny hears a rumor that Sarge’s body is hidden somewhere in the forest outside the campground, he recruits Violet and some of the other campers to go on a mission to find out if it’s true. (goodreads.com)
So I loved the art in this comic. Like a lot. It’s truly beautiful, all the colors and shading. I couldn’t take my eyes off of it.
The story on the other hand . . eh. It’s weird. Why are all these zombies at this military-like camp? Are they training for the zombie army? And why is Sarge just a head on a stick? Not a whole hell of a lot he can do. Is the guy who pushes him around on a cart supposed to be his arms to whip these zombie kids into shape?
And then they’re searching for his body, like it has some kind of mind of its own. I don’t know. I don’t feel real rooted in this world. Granted I think the comic is for younger kids, like middle school at most, so I think a lot of backstory gets skipped. But I end up with a lot more questions than what’s answered, mainly because it gives zero exposition. Not even really trickled throughout unless you want to count the ghost story of Sarge’s body. But even then everything’s existing within a bubble.
Young kids would probably like it. It’s amusing enough and the visual are fantastic. But it’s lacking in its story, for sure.
I received a copy of this comic from the publisher in exchange for an honest review.
Caroline Daniels must marry, and marry well. But in her remote corner of England eligible suitors are few and far between, and none hold a candle to her closest friend, Diana Fitzroy.
When Sir Edward Masterson arrives, he seems the answer to Caroline’s financial worries, though she instinctively dislikes the reticent, older merchant. Soon Sir Edward has set his sights on acquiring both Caroline and the decaying Harkworth Hall.
Caroline’s future seems secure, save that his enigmatic secretary hints at a dark secret, and Sir Edward shows an unusual interest in tales of monsters … and the blood in Caroline’s veins. (goodreads.com)
What a delightfully creepy book! I was a little nonplussed about the voice at the beginning, kind of a “oh not another one of these” moments, but the plot unfolded nicely and I got sucked right into it to the point where I didn’t even notice the voice. In fact the voice ended up adding to everything that was going on so it all worked out in the end.
Caroline is a character that’s been shoved into a particular role that she doesn’t really want to be in but society tells her it’s a must so she does it despite her heart screaming otherwise. But soon circumstances change and even though Caroline is desperate for a change, what society wants is so ingrained in her that it’s hard for her to do what’s right by her and by her family. It creates excellent tension among her, Mr Chase and Edward Masterson.
On top of that there’s this sinister, underlying scheme going on and you’re not sure whether there’s a supernatural element to it or if the men involved are just all sorts of shady and Johnson does an excellent job of toeing that line without dragging out the story in any unnecessary way.
And it’s a shorter story, my digital copy coming in as just over 100 pages. Johnson doesn’t waste words and she doesn’t waste time getting to the point but she doesn’t sacrifice setting or character development to get there. Another excellent balance.
I really hope there’s more to this story, at least one more book, because after what happens at the end it can’t just end there!
I received a copy of this book from the author in exchange for an honest review.
Here is a thing everyone wants:
Here is a thing everyone fears:
What it takes to get one.
Any visitor to Bicho Raro, Colorado is likely to find a landscape of dark saints, forbidden love, scientific dreams, miracle-mad owls, estranged affections, one or two orphans, and a sky full of watchful desert stars.
At the heart of this place you will find the Soria family, who all have the ability to perform unusual miracles. And at the heart of this family are three cousins longing to change its future: Beatriz, the girl without feelings, who wants only to be free to examine her thoughts; Daniel, the Saint of Bicho Raro, who performs miracles for everyone but himself; and Joaquin, who spends his nights running a renegade radio station under the name Diablo Diablo.
They are all looking for a miracle. But the miracles of Bicho Raro are never quite what you expect. (goodreads.com)
Here’s the thing: I have kind of a love/hate relationship with Maggie’s writing. I HATED the Lament series and as a result didn’t even attempt The Wolves of Mercy Falls series. I read THE SCORPIO RACES and thought it was pretty good. I no (haven’t read the last one yet). And now we get to ALL THE CROOKED SAINTS.
I feel like this was a book where the publisher was like, Maggie write a book because you word good. And Maggie gave them a book with words and they published it. I didn’t think it was necessarily overwritten. I did like the fairy tale-esque sort of style she was going for. But I felt it was really rambly in a trying-to-be-quirky sort of way that I really wasn’t digging. This felt like sort of an experiment she was trying and for me it didn’t quite click.
All those rambly, dangly loose ends do end up tied up at the end, and rather nicely. Everything felt far less rambly and random and scatterbrained at the end and I actually rather liked the end. Just not thrilled with the road she took to get there.
I liked the world she developed so close to my own home (Arizona, this story is set in southern Colorado) so I felt pretty rooted in the setting itself. I liked the sort of magical realism she dabbled in with the miracles and the process through which people have to go through in order to come out the other side of them. I just didn’t feel all that connected to any individual character because she kept hopping all over the place to tell everyone’s stories.
It’s a whimsical story in its darkness and light, but for me it was read from a distance. I didn’t feel invested in anything. But that’s the trouble with fairy tales, isn’t it? Personally I think they’re a gamble in that you can tell a tale that either sucks a reader in or leaves them at a distance. Then again that’s really true of any writing. But doubly true to these kinds of tales.
Maggie paints a good scene. She’s descriptive in ALL THE CROOKED SAINTS without being overwritten. I just didn’t connect with the particular style she was going for. Didn’t love it; didn’t hate it. Just kind of meh. I look forward to her Ronan books though. Absolutely.
I received a copy of this book from the publisher in exchange for an honest review.
Becket, walking her dog one winter evening, fears it’s an abandoned baby left out in the cold. But it is something else—something evil—and it tricks Becket into opening a doorway to another realm, letting a darkness into our world, a corruption that begins transforming Philadelphia into a sinister and menacing version of itself…but only at night.
The changes are subtle at first, causing Becket to doubt her senses and her sanity. But soon the nightmarish truth is impossible to deny: By day, the city is just a city, but at night it literally comes alive with malevolent purpose. Brick and steel become bone, streetlights turn into gallows, and hungry alleys wait to snare mortal victims. Terrified citizens huddle indoors after dusk, as others succumb to the siren song of the night, letting their darker sides run wild.
Once, Becket’s biggest problems were living up to her police commissioner father’s high expectations and a secret crush on her best friend’s boyfriend. Now she must find a way to survive and protect her loved ones…before the darkness takes her as well. (goodreads.com)
How horribly disappointing. It sounded so good and even the blurb by Kendare Blake, whom I love, said it was dark and horror-ridden and fantastic. I don’t normally give author blurbs any regard, but I love Blake’s work so yeah. It’s going to carry some weight.
The world itself was actually really awesome. This insidious infiltration of this other dark, fantastical world into modern Philadelphia was terrifying, the way things changed, the way things existed in the corner of your eye, maybe you were seeing things, maybe you weren’t. The build-up with that was fantastic. And then how people started to change and basically just live on their ids, creating terror where the constructs, inanimate objects come to life, couldn’t get. And how all of this happened at night and went back to normal during the day. It’s terrifying. It really is.
But that’s about all the good I found the book. Becks is a vaguely condescending teen who does NOTHING for 95% of the book before taking really dumb and poorly thought out action at the end that’s entirely antithetical to the “think everything through cop’s daughter” mentality she built up during the entire book. The entire book where if she’s not getting pushed around by her selfish friend, she’s either commuting to and from school or cowering in her house. Becks literally does not move the plot at all. It moves her. This is, like, a cardinal sin of writing. Yet here we are.
Right before I started reading this, I was listening to a bunch of podcasts that recap Point Horror novels and one book they were doing was real heavy in ableist language around mental illness. One of the podcasters deals with a mental illness on a daily basis and she expounded on how harmful this kind of language is and how likening a mental illness to the worst thing that could possibly happen to a person is so incredibly damaging.
Then I started reading NIGHTSTRUCK and was dumbstruck by the number of times terms like crazy and variations of spaz were used. Not to mention Becks thinking multiple times that she’d rather have a brain tumor than lose her mind (when trying to figure out if the night changes she was seeing were real). Had I not listened to those podcasts I don’t know if I would have been as sensitive to such language, but seeing as how I did listen, and how pervasive this language was, I felt like I was getting slapped every time I read it. It was incredibly heavy-handed in the first half of the book and then trickled down, but was still there. Kind of awful.
And then back to Becks’s condescension, because she’s supposed to be this enlightened, smart kid who’s in AP everything yet runs her mouth about mental illness like it’s nothing yet won’t call a dick a dick when she sees it in some iron work. It’s a phallic symbol. Every. Single. Time. Phallic symbol. And it was mentioned multiple times because it’s really what started drilling into Becks’s head in figuring out what’s going on. It’s the marker she uses to bring Luke into everything. Not a dick or a penis or a schlong. Phallic symbol. Yet she doesn’t know to cool her shit about mental illness. Slightly inconsistent there.
I wanted to like NIGHTSTRUCK so bad. The world is so creepy and how it comes into fruition is just fantastic. But everything else just sucks. Becks is a less-than-appealing character who is barely tolerable most of the time, inconsistent in her intelligence and decision-making abilities, and literally does nothing for most of the book. Great, so does she do a whole lot more nothing in the sequel? Guess I’m not going to find out because I’m not going to read it. And that makes me sad.
Suzie’s a normal girl with an extraordinary ability: when she has sex, she stops time. One night she meets John… who has the same gift. And so they do what any other sex-having, time-stopping, couple would do: they rob banks. In the vein of THE 40-YEAR OLD VIRGIN and BRIDESMAIDS, Image Comics invites you to come along with MATT FRACTION (Hawkeye, SATELLITE SAM) and CHIP ZDARSKY (Prison Funnies, Monster Cops) for the series that puts the “comic” back in “comics” and the “sexy” back in “sex crimes.” (goodreads.com)
So putting the “sexy” back in ” sex crimes” is skeevy at best. Who thought of that? The more I read it the more grossed out I get. Yeah, let’s make violent rape sexy. Granted, that’s not what this comic is about and I imagine it’s just a play on words because there are no actual sex crimes in this book, but there are people who have sex and then commit crimes together. Yeah. Real shitty play on words there. Real gross play on words too.
I have no idea what he hell this is. The main character lost her dad in some weird office mishap where he was thrown out the window. Mom circled the drain and Suzie found orgasms? I have no idea. It’s supposed to be funny but that’s not what I was picking up. I mean the tag line on Goodreads is “A sex comedy for comics.” So written by dudebros for dudebros? I don’t want to judge the authors based on this one comic because I haven’t read anything else, and the blurb is more than likely by the publisher, not the authors. But this is just all kinds of gross in the way it’s marketed.
And the story is lackluster. Again, girl loses dad, mom circles the drain while Suzie finds orgasms. She has some kind of synesthesia when she comes and when she meets a guy who sees the same thing when he comes they somehow start robbing banks or something. I have no idea. The story is disjointed at best. You’re not missing anything. If you want sexy go watch Cinemax or something. At least it’s more visually appealing and you don’t have to concern yourself with a story.
I received a copy of this comic from the publisher in exchange for an honest review.