Royal Bodyguard Hatter Madigan’s search takes an unexpected detour when he travels ‘within’ guided by a mischievous and often maddening young girl named Nekko. Nekko’s origin is a Zen mystery, but her devotion to Hatter’s quest to find the lost Princess is unwavering. After Nekko kidnaps his Hat and leads him on a fearless chase across the rooftops of 1871 San Francisco, Hatter must acknowledge her as a teacher. It is written that when you are ready the teacher will appear, but if the teacher is a 12-year-old girl and you are a High Ranking Bladesman you may discover that all you can do is laugh.
Hatter and Nekko’s adventure around the ring of fire begins when they track a stolen samurai sword with a Wonderland connection to San Francisco’s styling 19th century hiphop crime madam Missy Tong and her eager protégé, the outspoken Lil’ Dick. A stowaway trip aboard a shanghai sailing ship ends on the Hawaiian Islands where a surfboard becomes Hatter’s vehicle to illumination. And then on to Japan! Good grief it’s Chikao and the gang, schoolhouse demons, cosplay, manga, noodles and a long lost brother from another world. Duality? No. Milliners.” (goodreads.com)
This was probably my least favorite for the series so far, mainly because it made me cringe with how stereotyped everyone of non-white ethnicity was. From the very stereotypical Chinese/Japanese accent to the mystical Japanese girl functioning solely to bring the white man to enlightenment, it was all so . . . stereotypical. It really clouded the story for me to the point where I’m having a hard time remembering around the stereotypes.
The thing is I’m not even sure if this sidetrack storyline was even necessary for the story arc itself. It just seemed like a way for the author to jaunt through history to a self-serving time period to mix things up a bit. This was more about Hatter trying to find himself, but I feel like there are better ways he could have done that. Or at least ways that didn’t employ Long Duk Dong-level stereotypes coupled with Matt Damon’s The Wall/white savior elements.
ZEN OF WONDER doesn’t really add much to the whole storyline so if you’re looking for one to skip, this would be it. It’s not like there’s any Hatter growth in it at all. It’s just all rather pointless.
It’s 1,655 years after Eden, and life on Earth has already gone to hell. The world of man is a place of wanton cruelty and wickedness. Prehistoric monsters and stone-age marauders roam the land. Murder and destruction are the rule of the day. Humankind is a failed experiment. This is life before the Flood. The story of man on the verge of his first apocalypse. Welcome to the world of the Goddamned. (goodreads.com)
I like the concept, but the story kind of fell flat for me and I wasn’t a fan of the art. It’s that very messy, kind of hard to see kind of art that smudges all together. Especially when there are fight scenes it’s like a Magic Eye trying to figure out.
The concept itself is neat, setting the story in the world following the fall of Eden (not immediately but far enough) and showing just how far people haven’t come. They’re basically flopping around the world pillaging and plundering each other, not really knowing what to do in a prehistoric Mad Max kind of world. Cain just seemed kind of mopey, though. A bit too brooding for me. And the set-up with the kid seemed a little too contrived for my tastes.
I liked where it ended and the introduction of another character within that same fictional world, but I’m turned off enough by the art and I don’t care enough about the story enough to carry on with it.
I received a copy of this book from the publisher in exchange for an honest review.
Why is her boyfriend Tom avoiding her – while other boys pursue her as never before? Jenny Thornton has changed. So have her friends. Because of Julian, the Shadow Man, who has returned to terrorize them with a new game, a hunting game, Lambs and Monsters. They’re the lambs, to be stalked, pounced upon, and lost to the Shadow World forevermore. The monsters are the Lurker , a ghostly wolf, and the Creeper, a phantom snake. One by one, Jenny’s friends disappear, leaving behind only a paper doll – and a riddle with clues about who will be next . . . Jenny must find Julian’s hidden base and save her friends before it’s too late. But how can she resist the predatory prince of darkness who has returned to make her his own? (book back blurb)
I reviewed the first book a while ago and my recap for it just went up last month at The Devil’s Elbow. This month I’m recapping THE CHASE and having never read it before, of course it needed to be reviewed here too. Oh such Labyrinth-y goodness.
Granted I was a bit torn with THE CHASE. The pacing was a little all over the place and the first sentence in that blurb is really misleading. Jenny doesn’t have dudes falling all over her now. One guy asked her to the prom who wasn’t Tom. The blurb could have started with the second sentence and have been fine. Anyway, pacing. It lingers on minutiae in this book where it didn’t in the last, giving me drawn out scenes when they were postering (as in handing out posters with Summer’s face on it because everyone thinks she’s just missing) that didn’t really advance the plot at all, or the whole thing with this guy pursuing Jenny, which really wasn’t much of a thing. There’s a fair amount of cigarette lighting in the book and things don’t really start to get rolling until a little more than halfway into the book, which is far. I often felt like telling Smith to get on with it up to that point.
However, I did like the total mindfuck going on up to Game #2. They were just spaced far enough apart in that first half that they didn’t connect too well and too much time passed between them to really maintain interest. Plus Smith likes to drag on with unnecessary physical details and expounding a little too much on what’s going on in people’s heads so that slowed the plot down too. But the mindfucking was good. I wish she spent more time there.
About a third of the way through the book I started having real issues with the type of focus Smith was giving Dee, her Aba, and then a Polynesian woman. It seemed like every POC that popped up in her books were in some way otherworldly and deserving of this . . . other type of description that no one else got. Then I remembered Wing from DE mentioning not liking Smith’s othering of Dee. Not sure what that meant I looked it up. Yup. That’s it. That’s what was really bothering me. It’s almost like Smith’s overcompensating by making all of the POC in her book mystical and gorgeous and unreachable . . . except that just plays into typecasting, doesn’t it? Dee, the angry but beautiful black girl who’s regularly described as having lioness and panther-like qualities, who wants to fight constantly, and who is regularly described as having a savage or barbaric smile (OMG NO). Aba, the mystical black grandma offering pearls of wisdom to help the children along. And the Polynesian women, a cop and there for a second, was described as being model beautiful. It was just so glaring and off-putting.
Meanwhile Michael has some variety of spaniel eyes, Audrey has spiky lashes and bangs, and everyone else kinds of blends in. Smith has a real bad habit of using rather unique descriptors repeatedly. They stand out “nicely.”
Anyway, I’m a big fan of psychological thrillers and horror and THE CHASE fits better into that arena than anything else. I really, really liked the mind games Julian played, wearing the group down before taking them one by one. Truly, it’s perfect. But then we get sort of a repeat ending from book one and I want to say it’s lazy but it also plays into Julian’s character so I’m not sure which way to sway on that one. But I like that Smith went with the brain game with book two. Considering how mentally mangled those kids would be after what they went through, and with losing Summer (I have a feeling she’s not actually dead . . .) their brains would be ripe for poking. And Julian did just that. It’s demented and dark and it made me like the story even more. Jenny is standing more on her own two feet and barreling headfirst into things. Tom is no longer her crutch. Instead she stands on her own and that’s kind of awesome.
I’m looking forward to working my way through book 3 next month. Be sure to check out my recap going up at The Devil’s Elbow on the 23rd!
My recap of the first book in LJ Smith’s The Forbidden Game series, THE HUNTER, just went live at The Devil’s Elbow! Come see just how much Smith was inspired by Labyrinth and if she wasn’t I’ll eat my shoe. Not to mention, in the grander scheme of shitty YA horror from the 90s, THE HUNTER is probably one of the least shittiest. I actually enjoyed this story in all its twisted horror and Labyrinth love and Smith kept the crappy characters to a minimum. Considering the proliferation of teens-as-caricatures in 90s YA horror, I’ll take what I can get.
So come check out my recap of THE HUNTER at The Devil’s Elbow now!
Here is a thing everyone wants:
Here is a thing everyone fears:
What it takes to get one.
Any visitor to Bicho Raro, Colorado is likely to find a landscape of dark saints, forbidden love, scientific dreams, miracle-mad owls, estranged affections, one or two orphans, and a sky full of watchful desert stars.
At the heart of this place you will find the Soria family, who all have the ability to perform unusual miracles. And at the heart of this family are three cousins longing to change its future: Beatriz, the girl without feelings, who wants only to be free to examine her thoughts; Daniel, the Saint of Bicho Raro, who performs miracles for everyone but himself; and Joaquin, who spends his nights running a renegade radio station under the name Diablo Diablo.
They are all looking for a miracle. But the miracles of Bicho Raro are never quite what you expect. (goodreads.com)
Here’s the thing: I have kind of a love/hate relationship with Maggie’s writing. I HATED the Lament series and as a result didn’t even attempt The Wolves of Mercy Falls series. I read THE SCORPIO RACES and thought it was pretty good. I no (haven’t read the last one yet). And now we get to ALL THE CROOKED SAINTS.
I feel like this was a book where the publisher was like, Maggie write a book because you word good. And Maggie gave them a book with words and they published it. I didn’t think it was necessarily overwritten. I did like the fairy tale-esque sort of style she was going for. But I felt it was really rambly in a trying-to-be-quirky sort of way that I really wasn’t digging. This felt like sort of an experiment she was trying and for me it didn’t quite click.
All those rambly, dangly loose ends do end up tied up at the end, and rather nicely. Everything felt far less rambly and random and scatterbrained at the end and I actually rather liked the end. Just not thrilled with the road she took to get there.
I liked the world she developed so close to my own home (Arizona, this story is set in southern Colorado) so I felt pretty rooted in the setting itself. I liked the sort of magical realism she dabbled in with the miracles and the process through which people have to go through in order to come out the other side of them. I just didn’t feel all that connected to any individual character because she kept hopping all over the place to tell everyone’s stories.
It’s a whimsical story in its darkness and light, but for me it was read from a distance. I didn’t feel invested in anything. But that’s the trouble with fairy tales, isn’t it? Personally I think they’re a gamble in that you can tell a tale that either sucks a reader in or leaves them at a distance. Then again that’s really true of any writing. But doubly true to these kinds of tales.
Maggie paints a good scene. She’s descriptive in ALL THE CROOKED SAINTS without being overwritten. I just didn’t connect with the particular style she was going for. Didn’t love it; didn’t hate it. Just kind of meh. I look forward to her Ronan books though. Absolutely.
I received a copy of this book from the publisher in exchange for an honest review.